Thursday, November 20, 2014
Primavera at MCA - 20 November
Okay - apologies for the delay in posts readers but it was a busy November for the Big Lamington team with, well, other stuff happening! I am going to power through some quick thoughts on the shows I saw to get the blog up to date. Here's my thoughts on Primavera, which if you need the backstory you should first read Frosty as I am going to just dive in.
I read somewhere that the consensus was curator Mikala Dwyer had crammed in too much work into a small area of the gallery and it was an incoherent hang. Unkindly, my first thought was how could they tell? That is not to say the MCA always crams random art together, they usually do leave more room. It is just that my abiding memories of previous Primavera exhibits is that it is always random and incoherent because of the nature of just selecting a couple of young urgers (its like contiki, they have to be under 30 or something) to have a crack. There was only one real star in my mind, Paul Yore. Those textile works were, to quote the Chemical Brothers, out of control. Way out of control. I loved them. Maybe a few too many cocks for home display but the fact that the middle one (apologies as I can't find my notes, is that 'Welcome to Hell' or 'This moment is Critical'?) was such an amalgam of random thoughts, like a art school patchwork quilt. My favourite element was the rainbow eureka flag (pic above). This was from memory a scaled down version of what he had at Sydney Contemporary. What else? I thought the pvc and can sculpture of Sean Peoples was pretty cool and I liked the randomness of his telepathy project with Veronica Kent. Not so much the art but the fabric on the chairs was cool in a Yinka Shonibare knock off kind of way (image below). Maybe they should've been inspired by Australia's own Utopia Goods?
Points. 3 for middle tapestry (pictured top) and 2 for the ejaculating tapestry (not pictured top). That's 5 points for Paul overall. I would say keep an eye on Paul as his works were quite affordable at Sydney Contemporary. Not for long if you ask me. Finally, for those who can count backwards you can guess Sean will pick up 1 point for his sculptural effort 'Ouroboros Centipede'.